Trecento and Quattrocento Italian Art

M. Parada López de Corselas & A. Cros Gutiérrez, \"En torno al cardenal Don Gil Álvarez de Albornoz y el platero sienés Andrea Petrucci: el relicario de la mano de Santa Lucía y el cáliz de San Segundo\", Anales de Historia del Arte, 2014, Vol. 24, Nº Esp. Noviembre, pp. 401-419.

History / Art History / Liturgical Studies / History of Art / Decorative Arts / Cardinals (Medieval Church History) / Medieval Italy / Medieval Art / Avignon Papacy / Medieval Spain / Medieval Art History / Silver / Toledo / Trecento and Quattrocento Italian Art / Papacy and Cardinals / Italian Trecento / History of Colleges and Universities / Plateria / Cardinals (Medieval Church History) / Medieval Italy / Medieval Art / Avignon Papacy / Medieval Spain / Medieval Art History / Silver / Toledo / Trecento and Quattrocento Italian Art / Papacy and Cardinals / Italian Trecento / History of Colleges and Universities / Plateria

IgnacioCabello, Giotto. La Italia del Trecento a través de los frescos de la Capilla de los Scrovegni en Padua

Historia / Artes / Giotto / Historia del Arte / Storia Dell'Arte Medievale / Edad Media / Trecento and Quattrocento Italian Art / Scrovegni Chapel / Siglo XIV / Giotto di Bondone / Edad Media / Trecento and Quattrocento Italian Art / Scrovegni Chapel / Siglo XIV / Giotto di Bondone

Ideas estéticas de San Buenaventura como posible fuente doctrinal de la iconografía del Trecento italiano

Aesthetics / Iconography / Medieval Art / Christian Iconography / Medieval Iconography / Italian late medieval and Renaissance devotional art, ritual, and patronage / Trecento and Quattrocento Italian Art / Medieval aesthetics / St Bonaventure / Italian late medieval and Renaissance devotional art, ritual, and patronage / Trecento and Quattrocento Italian Art / Medieval aesthetics / St Bonaventure

Un refugio bizantino durante el trecento sienés

Iconography / Giotto / Siena / Trecento Painting / Gotico internazionale / Gótico Internacional / Trecento and Quattrocento Italian Art / Sienese painting / Duccio / Duccio Di Buoninsegna / Gótico Internacional / Trecento and Quattrocento Italian Art / Sienese painting / Duccio / Duccio Di Buoninsegna

La iconografía de la Asunción de la Virgen María a la luz de sus fuentes. Análisis de ocho pinturas del Quattrocento italiano

Iconography / Medieval History / Medieval Studies / Medieval Art / Christian Iconography / Mariology / Virgin Mary / Medieval Iconography / Quattrocento / Trecento and Quattrocento Italian Art / Virgin Mary, Assumption of / Mariology / Virgin Mary / Medieval Iconography / Quattrocento / Trecento and Quattrocento Italian Art / Virgin Mary, Assumption of

Iconografía de la Virgo Dolorosa en la pintura bajomedieval italiana a la luz de fuentes patrísticas y teológicas

Christianity / Iconography / Theology / Medieval History / Medieval Studies / Italian art / Christian Spirituality / Medieval Art / Christian Iconography / Virgin Mary / Medieval Iconography / Trecento Painting / Christian Studies / Trecento and Quattrocento Italian Art / Patrology / Marian Iconography / Italian art / Christian Spirituality / Medieval Art / Christian Iconography / Virgin Mary / Medieval Iconography / Trecento Painting / Christian Studies / Trecento and Quattrocento Italian Art / Patrology / Marian Iconography

AN \" INNUMERABLE COMPANY \" OF ANGEL-MUSICIANS AT S. MARIA NOVELLA, FLORENCE

Digital Humanities / Angels / Trecento and Quattrocento Italian Art

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